Microphone pre-amplifier (33 results)
New
Soyuz Launcher Analog Vintage Gain Booster- Analog microphone preamplifier with +26 dB gain
- Gives dynamic and ribbon microphones a vintage sound character
- Hand-wound Transformer and Burr-Brown Operational Amplifier
- Operates on 48 V phantom power
- Reduces audible noise in the signal chain
- Compact desktop enclosure with XLR connectors
Behringer Microphone pre-amplifier MIC300 Tube Ultragain- High-end preamplification for all microphone, instrument and line-level sources, specifically designed for studio-grade condenser mics
- +48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility
- Balanced inputs and outputs on ¼" TRS and gold-plated XLR connectors
- Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and low noise
- Perfectly matches any studio or live recording setup
- Ensures outstanding signal transparency when used as a high-end DI box
Warm Audio Microphone pre-amplifier WA73-EQ- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- 3 coil band filters
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
sE Electronics Microphone pre-amplifier DM-1 Dynamite Active Class A FET- Active inline preamplifier for passive microphones
- Delivers +28 dB clean and constant amplification
- Sophisticated Class A FET electronics for low noise
- Robust all-metal housing with gold-plated XLR connectors
- Reduces susceptibility to HF interference with long cable runs
- Operation via 48 V phantom power
Behringer Microphone pre-amplifier UV1 Ultravoice- Integrated compressor, de-esser, enhancer, expander/gate
- Supported sample rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
- +48 V phantom power switchable, low cut
- Connections: 1x microphone input, 1x headphone connection, 2x line inputs, 1x line output
- Maximum sampling rate: 192 kHz, maximum resolution: 24 bit
- Integrated power supply unit 100-240 V, 50/60 Hz
Behringer Microphone pre-amplifier MIC2200 V2- Microphone input stage with discrete, conjugate transistor pair circuit
- Bandwidth from 10 Hz to 200 kHz for «open» sound
- Integrated fully parametric EQs with dedicated controls for center frequency, bandwidth and level
- Independent line driver for conversion from -10 dBV to +4 dBu professional level
- Soft mute +48 V phantom power to avoid switch-on noise
- Tunable and switchable 12 dB high-pass filter
sE Electronics Microphone pre-amplifier DM2 T.N.T Active inline, blue- Switchable gain of +15 dB or +30 dB
- 8 selectable impedance settings for optimum microphone matching
- Ultra-low-noise Class A design with high-quality FETs
- Robust all-metal housing with gold-plated XLR contacts
- Requires 48 V phantom power for operation
- Reduces HF interference and enables long cable runs
sE Electronics Microphone pre-amplifier DM2 TNT Black Blue- Switchable gain +15 / +30 dB
- Switchable load impedance in 8 stages for passive microphones
- High-quality class A FET transistors for transparent sound
- Robust full metal housing with gold-plated XLR contacts
- Additional output stage for load-independent operation
- Requires 48 V phantom power
Warm Audio Lifter Active, In-Line, 26 dB- Active inline microphone preamplifier for dynamic and ribbon microphones
- Provides 26 dB of clean analog gain with a JFET input
- Switchable 100-Hz high-pass filter and 3-kHz high-shelf boost
- A symmetrical signal path ensures noise-free signal transmission
- Compact design ideal for live and studio applications
- Operates on 48-V phantom power from a mixing console or audio interface
Warm Audio Microphone pre-amplifier WA-MPX- Selectable tape saturation adds harmonic distortion and natural compression
- Construction with 3 tubes per channel for analog sound
- 90dB analog tube amplification
- CineMag USA Transformers
- 2 x 12AX7 and 1 x 12AU7 V ACuum tubes
- Tone circuit changes the impedance of the input transformer
New
Warm Audio Jude MP2 Stereo- Faithful reproduction of the preamp circuit from the legendary A-Range consoles
- Dual discrete 3035 Class A amplifiers per channel
- 9-step Z-Match impedance control for optimal microphone matching
- Custom CineMag USA Transformers
- Pre-amplification from 65 to 76 dB
- Frequency response from 10 Hz to 25 kHz (±2 dB)
New
Soyuz Lakeside Single-channel Class A, 19-inch, 1U- Fully discrete Class A circuit for rich sound
- Specially Designed Input and Output Transformers
- Stepwise gain boost from 10 to 60 dB in 5-dB increments
- Induction-based high-pass filter from 40 Hz to 330 Hz
- 6.3 mm DI jack input on the front panel for instruments
- Balanced XLR line output for professional applications
New
Soyuz Launcher Deluxe 2-channel- Two-channel inline microphone preamplifier with 26 dB of gain
- Launcher Mode for dynamic and ribbon microphones
- Saturate Mode for Saturation Effects in Condenser Microphones
- Four hand-wound toroidal transformers for vintage analog sound
- Two XLR/jack combo inputs and two 3-pin XLR outputs
- Compact desktop design with a rugged housing
New
RME 12Mic-D 12-Channel Dante ADAT MADI- Remote-controlled 12-channel microphone preamplifier with high-resolution digital conversion
- Integrated Dante, ADAT, and MADI connectivity for maximum flexibility
- Up to 75 dB of gain for signals up to +18 dBu on all channels
- 4 XLR/TRS combo inputs with switchable Hi-Z and 8 XLR microphone/line inputs
- Integrated routing matrix and convenient 1.54-inch color display for direct control
- Compact 19-inch design with 1U height and redundant power supply
New
Warm Audio Jude, Member of Parliament Microphone Preamplifier- Desktop microphone preamp with original A-Range circuitry
- Pre-amplification of 65 to 76 dB at a source impedance of 40 ?
- Variable microphone input impedance: 60 ?, 200 ?, and 1.5 k?
- Frequency response from 10 Hz to 25 kHz (±2 dB)
- Low total harmonic distortion of 0.008% and self-noise of 128 dBu ON
- Inputs: XLR and 6.35 mm jack; Outputs: XLR and line-level jack
New
RME Micstasy- 8 balanced XLR mic/line inputs with an 85 dB gain range
- High-quality A/D conversion with 24-bit resolution and a sampling rate of up to 192 kHz
- Versatile digital outputs with AES/EBU and ADAT interfaces
- Full remote control via MIDI and MIDI over MADI
- Integrated SteadyClock technology for efficient jitter suppression
- Sturdy 19-inch rack enclosure with 2 U
New
RME 12Mic Microphone Preamplifier- 12 transparent microphone and line preamps with uncompromising A/D conversion
- Flexible connectivity thanks to MADI, AVB, and optical ADAT interfaces
- Up to 75 dB of gain without the PAD switch and a signal-to-noise ratio of 121.2 dB(A)
- Switchable Hi-Z instrument inputs on the first four channels
- Two redundant Gigabit network ports for maximum reliability
- Precise synchronization thanks to SteadyClock FS technology
Warm Audio Microphone pre-amplifier WA 412- Altran USA C input and output transformers
- Tone switch changes the impedance of the microphone and instrument preamp from 600 to 150 Ωs
- 65dB Gain
- Transformer-balanced XLR and active instrument inputs
- Transformer-balanced XLR and jack outputs
- Output trim control for volume control and saturation effects
Focusrite Microphone pre-amplifier Scarlett OctoPre- 8 natural sounding Scarlett microphone preamps
- 8 balanced line inputs
- 2 instrument inputs on the front panel
- Outputs for live or stand-alone operation
- Dynamic range of 109 dB (A-weighted)
- Precise A-D conversion from Focusrite with sample rates up to 192 kHz
Warm Audio Microphone pre-amplifier TB12 Black- Transformer bypass for output transformer
- Tone switch – switches the input impedance from 600 Ω to 150 Ω
- Up to 71 dB gain
- Hi-Z input sends the signal through the entire circuit
- Phase inverter switch
- Two different discrete OpAmps: 1731 (Vintage) and 918 (Cleaner)
Focusrite Microphone pre-amplifier Scarlett OctoPre Dynamic- 8-channel microphone preamplifier with A-D/D-A conversion and analog compression
- 8 balanced line inputs
- 2 instrument inputs on the front panel
- Outputs for live or stand-alone operation
- Dynamic range of 109 dB (A-weighted)
- With sample rates of up to 192 kHz
Rodec M 501 with an equalizer- Discrete microphone preamp in 500-series rack-mount format
- Up to 70 dB of gain and 48 V phantom power
- Switchable EQ section with parametric midrange
- 2 Lundahl transformers for rich harmonics and clarity
- 2 discrete, pluggable 6-pin operational amplifiers
- Hi-Z switch, 20 dB attenuator, and phase switch
Warm Audio Microphone pre-amplifier WA73- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- Switch for phase inversion
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
Audient Microphone pre-amplifier ASP880- 123 dB Burr Brown A/D converter
- 2 Hi-Z Class-A instrument inputs for guitar and bass
- Insert paths via two DB25 sockets
- Variable input impedance
- Microphone gain -10 to +60 dB (-10 dB pad)
- Line gain -16 to +44 dB (-10 dB pad)
Warm Audio Microphone pre-amplifier WA273- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- Switch for phase inversion
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
Warm Audio Microphone pre-amplifier WA273-EQ- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- 3 coil band filters
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
Warm Audio Microphone pre-amplifier WA-2MPX- Selectable tape saturation adds harmonic distortion and natural compression
- Construction with 3 tubes per channel for analog sound
- 90dB analog tube amplification
- CineMag USA Transformers
- 2 x 12AX7 and 1 x 12AU7 V ACuum tubes
- Tone circuit changes the impedance of the input transformer
Presonus Microphone pre-amplifier Studio Channel
Focusrite Microphone pre-amplifier ISA One Analogue
Focusrite Microphone pre-amplifier ISA Two Analogue
DBX Microphone pre-amplifier 286S