Microphone pre-amplifier (21 results)
- +2
Warm Audio Microphone pre-amplifier WA73-EQ- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- 3 coil band filters
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
- +1
Audient Microphone pre-amplifier ASP800- 2 Retro Channels incl. Dual Stage Color Saturation – HMX & IRON
- 2 JFET D.I inputs
- 118 dB Burr Brown A/D converter
- XLR/jack combo sockets
- Variable input impedance
- Microphone gain: 0 - 70dB
- +1
SaleWarm Audio Microphone pre-amplifier WA273-EQ- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- 3 coil band filters
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
- +1
SaleWarm Audio Microphone pre-amplifier WA273- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- Switch for phase inversion
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
- +1
SaleWarm Audio Microphone pre-amplifier WA 412- Altran USA C input and output transformers
- Tone switch changes the impedance of the microphone and instrument preamp from 600 to 150 Ωs
- 65dB Gain
- Transformer-balanced XLR and active instrument inputs
- Transformer-balanced XLR and jack outputs
- Output trim control for volume control and saturation effects
- +1
Warm Audio Microphone pre-amplifier WA73- Carnhill UK input and output transformers
- 80 dB gain step switch
- Tone button for switching the input impedance
- Switch for phase inversion
- 4-stage LoCut filter (50, 80, 160, 300 Hz)
- Ground lift switch
- +1
Warm Audio Microphone pre-amplifier WA-MPX- Selectable tape saturation adds harmonic distortion and natural compression
- Construction with 3 tubes per channel for analog sound
- 90dB analog tube amplification
- CineMag USA Transformers
- 2 x 12AX7 and 1 x 12AU7 V ACuum tubes
- Tone circuit changes the impedance of the input transformer
Sorry, this article could not be loaded due to incorrect data in our systems (SKU 1713158)- 0
Behringer Microphone pre-amplifier MIC2200 V2- Microphone input stage with discrete, conjugate transistor pair circuit
- Bandwidth from 10 Hz to 200 kHz for «open» sound
- Integrated fully parametric EQs with dedicated controls for center frequency, bandwidth and level
- Independent line driver for conversion from -10 dBV to +4 dBu professional level
- Soft mute +48 V phantom power to avoid switch-on noise
- Tunable and switchable 12 dB high-pass filter
- 0
Warm Audio Microphone pre-amplifier TB12 Black- Transformer bypass for output transformer
- Tone switch – switches the input impedance from 600 Ω to 150 Ω
- Up to 71 dB gain
- Hi-Z input sends the signal through the entire circuit
- Phase inverter switch
- Two different discrete OpAmps: 1731 (Vintage) and 918 (Cleaner)
- 0
Behringer Microphone pre-amplifier MIC300 Tube Ultragain- High-end preamplification for all microphone, instrument and line-level sources, specifically designed for studio-grade condenser mics
- +48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility
- Balanced inputs and outputs on ¼" TRS and gold-plated XLR connectors
- Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and low noise
- Perfectly matches any studio or live recording setup
- Ensures outstanding signal transparency when used as a high-end DI box
- 0
Behringer Microphone pre-amplifier UV1 Ultravoice- Integrated compressor, de-esser, enhancer, expander/gate
- Supported sample rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
- +48 V phantom power switchable, low cut
- Connections: 1x microphone input, 1x headphone connection, 2x line inputs, 1x line output
- Maximum sampling rate: 192 kHz, maximum resolution: 24 bit
- Integrated power supply unit 100-240 V, 50/60 Hz
- S.O.
Focusrite Microphone pre-amplifier Scarlett OctoPre Dynamic- 8-channel microphone preamplifier with A-D/D-A conversion and analog compression
- 8 balanced line inputs
- 2 instrument inputs on the front panel
- Outputs for live or stand-alone operation
- Dynamic range of 109 dB (A-weighted)
- With sample rates of up to 192 kHz
- 0
Audient Microphone pre-amplifier ASP880- 123 dB Burr Brown A/D converter
- 2 Hi-Z Class-A instrument inputs for guitar and bass
- Insert paths via two DB25 sockets
- Variable input impedance
- Microphone gain -10 to +60 dB (-10 dB pad)
- Line gain -16 to +44 dB (-10 dB pad)
- S.O.
Presonus Microphone pre-amplifier Studio Channel- Amplifies microphone and instrument signals
- Houses one 12AX7 tube
- With low-cut, phase rotation, phantom power and 20 dB attenuation
- With VCA compressor and 3-band EQ
- Analog VU meter
- 0
Warm Audio Microphone pre-amplifier WA12 MKII Black- Cinemag USA input and output transformers
- Tone switch for switching the input impedance from 600 to 150 Ωs
- +71db gain
- Socketed OpAmp: X731 (Vintage)
- Microphone input: XLR
- Rear Hi-Z input: 6.3 mm jack
- S.O.
Focusrite Microphone pre-amplifier ISA Two Analogue- Two microphone preamplifiers
- 4 selectable input impedances
- Symmetrical inserts
- Legendary Lundahl LL1538 Microphone Input Transformer
- Based on legendary ISA 110 preamp
- S.O.
Focusrite Microphone pre-amplifier Scarlett OctoPre- 8 natural sounding Scarlett microphone preamps
- 8 balanced line inputs
- 2 instrument inputs on the front panel
- Outputs for live or stand-alone operation
- Dynamic range of 109 dB (A-weighted)
- Precise A-D conversion from Focusrite with sample rates up to 192 kHz
- S.O.
Focusrite Microphone pre-amplifier ISA One Analogue- Independent DI channel
- Rugged and portable metal housing
- 4 selectable input impedances
- Adjustable headphone output
- Based on legendary ISA 110 preamp
- 0
DBX Microphone pre-amplifier 286S- De-esser
- Compressor
- 48 volt phantom power
- Low-cut filter
- Mic and line input
